Because we can't physically show our character (in this case Matt) talking on-screen, I had to think about ways in which the audience can still hear/understand what's going on, whilst showing visuals that don't seem 'pointless'. Therefore throughout the first half of the storyboard I've chose to include cut-aways that will hopefully connote signs and symbols of Matt's situation and current lifestyle.
Also, close-up shots of the protagonist's eyes are current, as I feel we can push body language and emotions through visual means.
The shots change from fixed shots, to hand-held shots, hopefully to indicate, or sub-conciously show the audience that his world is unsettled. Also, to help us (the audience) feel more involved with the piece.
I'll forward the piece to my fellow group members, as well as Tom who'll carry on with the job of finishing the last half.
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